When you say you’re a feminist…I hope you really know what that means. It means standing up for women of color.
Standing by black women who must deal with being referred to as welfare queens or ratchet.
Being a feminist is standing beside immigrant women who deal with wage theft, unsafe working conditions, and being referred to as leaving anchor babies in America.
It means standing beside Native American women who face domestic violence and rape at unprecedented rates.
It means standing beside Muslim women who choose to live out their faith and face Islamaphobia, sexism and ignorance constantly.
It means standing beside Asian women who have been misrepresented in the media to be thought of as only submissive and quiet.
Please recognize that feminism impacts the lives of every single one of these groups…but we are all women” — (via lifeisallaboutbeauty)
The problem that needs to be fixed is not kick all the girls out of YA, it’s teach boys that stories featuring female protagonists or written by female authors also apply to them. Boys fall in love. Boys want to be important. Boys have hopes and fears and dreams and ambitions. What boys also have is a sexist society in which they are belittled for “liking girl stuff.” Male is neutral, female is specific.
I heard someone mention that Sarah Rees Brennan’s THE DEMON’S LEXICON would be great for boys, but they’d never read it with that cover. Friends, then the problem is NOT with the book. It’s with the society that’s raising that boy. It’s with the community who inculcated that boy with the idea that he can’t read a book with an attractive guy on the cover.
Here’s how we solve the OMG SO MANY GIRLS IN YA problem: quit treating women like secondary appendages. Quit treating women’s art like it’s a niche, novelty creation only for girls. Quit teaching boys to fear the feminine, quit insisting that it’s a hardship for men to have to relate to anything that doesn’t specifically cater to them.
Because if I can watch Raiders of the Lost Ark and want to grow up to be an archaeologist, there’s no reason at all that a boy shouldn’t be able to read THE DEMON’S LEXICON with its cover on. My friends, sexism doesn’t just hurt women, and our young men’s abysmal rate of attraction to literacy is the proof of it.
If you want to fix the male literary crisis, here’s your solution:
Become a feminist.” —
For future reference.
For those who would ever need it. -C
reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship
Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
Veronika Scott was a fashion student at the College for Creative Studies in Detroit when her teacher, Stephen Schock, challenged her class to create a product that filled a need, rather than satisfying or creating a fad. Veronika’s design was a coat for homeless people that could transform into a sleeping bag, since in her city, she says, “you are constantly faced with the homeless epidemic.”
Not only did her design win a International Design Excellence Award from the Industrial Designers Society of America, it’s become the core of Veronika’s nonprofit organization, The Empowerment Plan, which hires people from homeless shelters and transition homes to help her make the coats. Now, three years later, the 24-year-old social entrepreneur expects that her team of 15 seamstresses will produce over 6,000 coats in 2014 — all of which will be distributed free of charge to people living on the streets.
Veronika originally designed the coats seeking input from people at a homeless shelter. After receiving feedback from people who used the prototype over a Detroit winter, she refined the design to create her final version which, in addition to being a waterproof and windproof coat and sleeping bag, also transforms into an over-the-shoulder bag with storage in the arm sockets.
When she started out, Veronika states,
“Everybody told me that my business was going to fail — not because of who I was giving my product to but because of who I was hiring. They said that these homeless women will never make more than a peanut butter and jelly sandwich — you cannot rely on them for anything. And I know my ladies enjoy proving everybody wrong.”
And, their impact is growing — according to CNN, which recently honored Veronika as one of their 10 Visionary Women of 2014, “The Empowerment Plan expects to launch a ‘buy one, give one’ program that will make it sustainable beyond the donations and sponsorships that keep it running now. Hunters and backpackers who’ve asked to buy the coat will be able to do so, and the Empowerment Plan will still create coats for homeless people who need them.”
Veronika is also excited to show other clothing producers that local manufacturing is possible: “I think we’re going to show a lot of people: you think it’s outdated to do manufacturing in your neighborhood, but I think it’s something that we have to do in the future, where it’s sustainable, where you invest in people, where they’re not interchangeable parts.”
You can read more about Veronika’s organization on CNN, or watch a short video about her work here.
To learn more about The Empowerment Plan or how you can support their work, visit http://www.empowermentplan.org/
For a wonderful book about women’s great inventions throughout history, check out “Girls Think of Everything” for readers 8 to 13.
For those in the US who would like to support efforts to end homelessness and help the over 600,000 people who experience homelessness on any given night, visit the National Alliance to End Homelessness athttp://www.naeh.org/ or to find a local homeless shelter to support in your area, visit http://www.homelessshelterdirectory.org/
Important in so many ways.
This is amazing and wonderful.
The Royal Greenhouses of Laeken (Dutch: Koninklijke Serres van Laken, French: Serres Royales de Laeken), are a vast complex of monumental heated greenhouses in the park of the Royal Palace of Laeken in the north of Brussels. It is one of the major tourist attractions of the city.
The complex was commissioned by King Leopold II and designed by Alphonse Balat. Built between 1874 and 1895, the complex was finished with the completion of the so-called “Iron Church”, a domed greenhouse that would originally serve as the royal chapel. The total floor surface of this immense complex is 2.5 hectares (270,000 square feet). 800,000 liters (over 200,000 US gallons) of fuel oil are needed each year to heat the buildings.
The complex can only be visited during a two-week period in April–May each year, when most flowers are in full bloom.
NeSpoon is a street artist from Warsaw, Poland. Her artistic focus is on the intricate patterns of lace, and breaking its granny stereotype by using it to beautify gritty urban spaces. NeSpoon calls her artistic approach the “jewellery of the public space”:
Jewellery makes people look pretty, my public jewellery has the same goal, make public places look better.
NeSpoon often uses the usual spray paint and stencils of enlarged lace patterns to produce her works on the street via
artist find at Lustik